Worship: Readings to Accompany Lessons from a Hamster (Real and Imagined)
One of the most fun parts of putting together a church service is selecting the readings. Since my early twenties I've considered poetry my preferred form of prayer. I love the opportunity to share my favorite inspirational writings with the congregation. The hard part is recalling, finding and selecting the most appropriate readings.
Here are the readings I actually used to accompany my sermon on January 11.
For the opening words, a selection from the thirteenth-century Sufi poet Jelulludin Rumi (Coleman Barks' translation, of course):
We are the mirror as well as the face in it.
We are tasting the taste this minute
of eternity. We are pain
and what cures pain, both. We are
the sweet cold water and the jar that pours.
The story for the children was The Old Woman Who Named Things by Cynthia Rylant. I know the adults enjoyed it; I hope the kids did too. Alice said, "Good job reading the story without crying, Mama!" It's a tear-jerker.
The first reading was a favorite poem by Ellen Bass. I had a strong internal debate about whether or not to use this piece, but I decided it would help to set the theme of parenting mindfully.
There are times in life
when one does the right thing
the thing one will not regret,
when the child wakes crying “mama”, late
as you are about to close your book and sleep
and she will not be comforted back to her crib,
she points you out of her room, into yours,
you tell her, “I was just reading here in bed,”
she says, “read a book,” you explain it’s not a children’s book
but you sit with her anyway, she lays her head on your breast,
one-handed, you hold your small book, silently read,
resting it on the bed to turn pages
and she, thumb in mouth, closes her eyes, drifts,
not asleep—when you look down at her, her lids open,
and once you try to carry her back
but she cries, so you return to your bed again and book,
and the way a warmer air will replace a cooler with a slight
shift of wind, or swimming, entering a mild current, you
enter this pleasure, the quiet book, your daughter in your lap,
an articulate person now, able to converse, yet still
her cry is for you, her comfort in you,
it is your breast she lays her head upon,
you are lovers, asking nothing but this bodily presence.
She hovers between sleep, you read your book,
you give yourself this hour, sweet and quiet beyond flowers
beyond lilies of the valley and lilacs even, the smell of her breath,
the warm damp between her head and your breast. Past midnight
she blinks her eyes, wiggles toward a familiar position,
utters one word, “sleeping.” You carry her swiftly into her crib,
cover her, close the door halfway, and it is this sense of rightness,
that something has been healed, something
you will never know, will never have to know.
The second reading was two more contemporary poems--a short one by W.S. Merwin and a longer piece by Mary Oliver. I first read the Mary Oliver poem in the Unitarian Universalist Association publication The World. I'm not sure if it is collected in any of Oliver's books.
Separation
W.S. Merwin
Your absence has gone through me
Like thread through a needle.
Everything I do is stitched with its color.
Starlings in Winter
Mary Oliver
Chunky and noisy,
But with stars in their black feathers,
They spring from the telephone wire
and instantly
they are acrobats
in the freezing wind.
And now, in the theater of air,
They swing over buildings,
dipping and rising;
they float like one stippled star
that opens,
becomes for a moment fragmented,
then closes again;
and you watch
and you try
but you simply can’t imagine
how they do it
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,
this wheel of many parts, that can rise and spin
over and over again,
full of gorgeous life.
Ah, world, what lessons you prepare for us,
even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;
I feel my boots
trying to leave the ground,
I feel my heart
pumping hard. I want
to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbably beautiful and afraid of nothing,
as though I had wings.
For my closing words, I used a wonderful little piece I found among the readings in Singing the Living Tradition, the UUA hymnal:
Hold on to what is good
even if it is
a handful of earth.
Hold on to what you believe
even if it is
a tree which stands by itself.
Hold on to what you must do
even if it is
a long way from here.
Hold on to my hand even when
I have gone away from you.
I believe the author is Nancy Wood.
Now for the writings that didn't make it into the service. My friend Karen reviewed the sermon and was reminded of one of my absolute favorite lines from the poet Adrienne Rich. I've used this as a mantra for years; there is no explanation for why it did not come to my mind as I prepared this service: "There must be those among whom we can sit down and weep, and still be counted as warriors." If that does not describe my sangha, which has been affectionately known as "the crybaby karate school," nothing does.
I did not want to rely too heavily on Mary Oliver, although I do believe her canon may form a Book of Common Prayer for many of us these days. From her collection Thirst, memorializing her partner of forty years:
A Pretty Song
From the complications of loving you
I think there is no end or return.
No answer, no coming out of it.
Which is the only way to live, isn't it?
This isn't a playground, this is
earth, our heaven, for a while.
Therefore I have given precedence
to all my sudden, sullen, dark moods
that hold you in the center of my world.
And I say to my body: grow thinner still.
And I say to my fingers: type me a pretty song.
And I say to my heart: rave on.
And finally, though I loved the closing words I chose, I wish I had remembered this quote from Alice with essentially the same sentiment:
You have to let your life go on
Even when it doesn’t make you happy.
Even when it’s hard.
Even when it’s not what you expected.
Here are the readings I actually used to accompany my sermon on January 11.
For the opening words, a selection from the thirteenth-century Sufi poet Jelulludin Rumi (Coleman Barks' translation, of course):
We are the mirror as well as the face in it.
We are tasting the taste this minute
of eternity. We are pain
and what cures pain, both. We are
the sweet cold water and the jar that pours.
The story for the children was The Old Woman Who Named Things by Cynthia Rylant. I know the adults enjoyed it; I hope the kids did too. Alice said, "Good job reading the story without crying, Mama!" It's a tear-jerker.
The first reading was a favorite poem by Ellen Bass. I had a strong internal debate about whether or not to use this piece, but I decided it would help to set the theme of parenting mindfully.
There are times in life
when one does the right thing
the thing one will not regret,
when the child wakes crying “mama”, late
as you are about to close your book and sleep
and she will not be comforted back to her crib,
she points you out of her room, into yours,
you tell her, “I was just reading here in bed,”
she says, “read a book,” you explain it’s not a children’s book
but you sit with her anyway, she lays her head on your breast,
one-handed, you hold your small book, silently read,
resting it on the bed to turn pages
and she, thumb in mouth, closes her eyes, drifts,
not asleep—when you look down at her, her lids open,
and once you try to carry her back
but she cries, so you return to your bed again and book,
and the way a warmer air will replace a cooler with a slight
shift of wind, or swimming, entering a mild current, you
enter this pleasure, the quiet book, your daughter in your lap,
an articulate person now, able to converse, yet still
her cry is for you, her comfort in you,
it is your breast she lays her head upon,
you are lovers, asking nothing but this bodily presence.
She hovers between sleep, you read your book,
you give yourself this hour, sweet and quiet beyond flowers
beyond lilies of the valley and lilacs even, the smell of her breath,
the warm damp between her head and your breast. Past midnight
she blinks her eyes, wiggles toward a familiar position,
utters one word, “sleeping.” You carry her swiftly into her crib,
cover her, close the door halfway, and it is this sense of rightness,
that something has been healed, something
you will never know, will never have to know.
The second reading was two more contemporary poems--a short one by W.S. Merwin and a longer piece by Mary Oliver. I first read the Mary Oliver poem in the Unitarian Universalist Association publication The World. I'm not sure if it is collected in any of Oliver's books.
Separation
W.S. Merwin
Your absence has gone through me
Like thread through a needle.
Everything I do is stitched with its color.
Starlings in Winter
Mary Oliver
Chunky and noisy,
But with stars in their black feathers,
They spring from the telephone wire
and instantly
they are acrobats
in the freezing wind.
And now, in the theater of air,
They swing over buildings,
dipping and rising;
they float like one stippled star
that opens,
becomes for a moment fragmented,
then closes again;
and you watch
and you try
but you simply can’t imagine
how they do it
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,
this wheel of many parts, that can rise and spin
over and over again,
full of gorgeous life.
Ah, world, what lessons you prepare for us,
even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;
I feel my boots
trying to leave the ground,
I feel my heart
pumping hard. I want
to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbably beautiful and afraid of nothing,
as though I had wings.
For my closing words, I used a wonderful little piece I found among the readings in Singing the Living Tradition, the UUA hymnal:
Hold on to what is good
even if it is
a handful of earth.
Hold on to what you believe
even if it is
a tree which stands by itself.
Hold on to what you must do
even if it is
a long way from here.
Hold on to my hand even when
I have gone away from you.
I believe the author is Nancy Wood.
Now for the writings that didn't make it into the service. My friend Karen reviewed the sermon and was reminded of one of my absolute favorite lines from the poet Adrienne Rich. I've used this as a mantra for years; there is no explanation for why it did not come to my mind as I prepared this service: "There must be those among whom we can sit down and weep, and still be counted as warriors." If that does not describe my sangha, which has been affectionately known as "the crybaby karate school," nothing does.
I did not want to rely too heavily on Mary Oliver, although I do believe her canon may form a Book of Common Prayer for many of us these days. From her collection Thirst, memorializing her partner of forty years:
A Pretty Song
From the complications of loving you
I think there is no end or return.
No answer, no coming out of it.
Which is the only way to live, isn't it?
This isn't a playground, this is
earth, our heaven, for a while.
Therefore I have given precedence
to all my sudden, sullen, dark moods
that hold you in the center of my world.
And I say to my body: grow thinner still.
And I say to my fingers: type me a pretty song.
And I say to my heart: rave on.
And finally, though I loved the closing words I chose, I wish I had remembered this quote from Alice with essentially the same sentiment:
You have to let your life go on
Even when it doesn’t make you happy.
Even when it’s hard.
Even when it’s not what you expected.




